以哲學家維根斯坦的作品《論色彩》(Remarks on Colour) 為主題的實驗性書籍設計，探討色彩在視覺感知與語言表達的關係。全書提取了原作中的「白色」與「色盲」作為兩大章節的研究主題，並將評論拆解重構後，以非線性的閱讀方式呈現多重的敘事。雙主題有各自獨立的開門封面，而全書的標題與介紹則置於正中心，可由內而外或由外向內進入閱讀。
An experimental book design based on Ludwig Wittgenstein’s “Remarks on Colour” explores the connection between the perception of graphics and linguistic expression. The book is a dialogue composed of excerpts from the two subjects “white” and “colorblindness” of the original work. The excerpts, transformed into two themes, are deconstructed to be presented in a non-linear reading structure to reflect the content and open to different interpretations.The two themes each have their own covers, while the title and introduction of the book are placed in the middle, allowing for reading from the inside out or from the outside in.
Theme 1_Clarity 白色的清澈度
為什麼我們不能想像有透明的白玻璃，即使實際上沒有這種玻璃？將白色透明玻璃當成有色透明玻璃的一種，這哪裡出錯了？––《論色彩》I-31
Why can't we imagine transparent-white glass, even if there isn't any in actuality? Where does the analogy with transparent coloured glass go wrong? ––Remarks on Colour I-31
Theme 2_Ambiguity 色盲的歧義
我可以說：此人分不清紅與綠，但我能說我們正常人分辨得出紅色和綠色的不同嗎？不管可不可以，我們都可以這樣說:「此處我們看到有兩種顏色，而他只看到一種。」––《論色彩》III-54
I can say: This man does not distinguish between red and green. But can I say that we normal people distinguish red and green? We could, however, say: “Here we see two colors, he sees only one.” ––Remarks on Colour III-54
Credits
編輯與設計 Editing & Graphic Design_Jessie Chiuhui Chen, Olivia Ting
攝影 Photography_Kazumori Wataya
編輯與設計 Editing & Graphic Design_Jessie Chiuhui Chen, Olivia Ting
攝影 Photography_Kazumori Wataya
